7/6/26 7/6/26

Leaving Home

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Lake Tahoe

Date: 2026

Medium: Paper (original retained)

What arrived

This broker is announcing changes to her own life.

Handling notes

Local scholars agree that the ridge on the left represents some type of personal rubicon. She notes her departure on the forward-facing side of the rift.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: Ephemera and ink.

6/29/26 6/29/26

Dream Broker Duty

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Wyoming

Date: 2024

Medium: Paper (original retained)

What arrived

Somewhat explicit instructions on the duties of a dream broker.

Handling notes

She must have her say, although every broker has her own opinion. Let stand as is.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: Ephemera

6/22/26 6/22/26

The Unclaimed Dream

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: *The Unclaimed Daughter; A Mystery of Our Own Day* by Mrs. C. G. Hamilton, 1853.

FIELD REPORT
Region: Big Horn Basin
Date: May 2026
Medium: Digital
What arrived
A workaday convenience by an dream broker writing in the Rhetorical Style. The simplicity of the question teases the mind. Those brokers more closely identified with Eastern practices claim it as a koan. 
Handling notes
Include in one of the spiritual practices drawers.

6/15/26 6/15/26

A Peculiarly Vivid Dream

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Wyoming

Date: 2024

Medium: Paper (original retained)

What arrived

Commentary from a minimalist, but extremely vivid, broker.

Handling notes

The use of entomology was appropriate and effective.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: British Dragonflies (Odonata) by William John Lucas, 1900.

6/8/26 6/8/26

Artifact and Evidence

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: *The Age of the Artifact-Bearing Sand at Trenton* by Henry B. Kümmel, 1898.

FIELD REPORT
Region: Big Horn Basin
Date: May 2026
Medium: Digital
What arrived
The introduction to a cautionary convenience text.
Handling notes
File with other eschatological fragments.

6/1/26 6/1/26

Dream Broker No. 8

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Wyoming

Date: May 2025

Medium: Metals (original retained)

What arrived

A dream broker figure made of wire and found metals.

Handling notes

Place her on the Dancing Mothers shelf in the Baroque alcove of the Ancestress Room.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: Metal and jewelry

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convenience meditation, conveniences 5/25/26 convenience meditation, conveniences 5/25/26

Threshold Residue

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin

Date: 5/10/26

Medium: Digital

What arrived

An encouragement for exertion while doing dream work. Scholars disagree on its intent. Is it simply advocating for effort? Or is it suggesting energy expenditure as the only path for metamorphosis, delegimitizing those who transition with ease?

Handling notes

File under General Encouragement for now.

Read More

convenience meditation, conveniences 5/18/26 convenience meditation, conveniences 5/18/26

Dream Broker No. 7

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: New Mexico

Date: October 2025

Medium: Metals (original retained)

What arrived

A welded dream broker wrapped in pearls and other jewelry. She carries a staff which is mounted upon some sort of wheel.

Handling notes

Conference attendees have selected her as the current exemplar of the dream broker profession. She will remain in the exhibit hall under glass.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: Metal and jewelry

Read More

convenience meditation, conveniences 5/11/26 convenience meditation, conveniences 5/11/26

Glimpses Seen in Dreams

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin

Date: 5/10/26

Medium: Digital

What arrived

This convenience attempts to correct the populist and dualistic narrative of an earlier midcentury in which dream brokers are always accurate or are never accurate [sic].

Handling notes

This belongs in one of the Presumably Enlightened folders.

Read More

convenience meditation, conveniences 5/4/26 convenience meditation, conveniences 5/4/26

Watching from the Seam

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin

Date: Fall, 2025

Medium: Analog (original retained)

What arrived

A convenience from the Phantasmagoric School. The broker has combined imagery to meet one of the school's tenets: juxtapose physical representations to deny certainty and to confuse the eye.

Handling notes

Arrived in poor condition and required extensive mending.

Withheld

Full view withheld. They're all lying anyway.

Source: Various ephemera

Read More

convenience meditation, conveniences 4/27/26 convenience meditation, conveniences 4/27/26

Doorway with Partial Identity

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin

Date: 4/21/26

Medium: Analog (original retained)

What arrived

Constructed from found materials in transit. This identity shows up frequently in dreams. In this piece she partially reveals herself.

Handling notes

This broker is a familiar character. She uses special effects and unresolved composition to mirror her unsettled identity and to retain movement between elements. Scholars have not yet reached conclusive agreement regarding her legal name.

Withheld

Full view withheld. The piece consolidates when seen whole.

Source: Various ephemera

Read More

convenience meditation, conveniences 4/20/26 convenience meditation, conveniences 4/20/26

Who is Guarding My Dreams

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin, Wyoming

Date: 4/19/26

Medium: Digital

What arrived

This is a fairly standard safety warning of the type often seen at dream broker conferences.

Handling notes

File in the Warning drawer, Slight Paranoia folder of the dream broker marketing archive.

Read More

convenience meditation, conveniences 4/13/26 convenience meditation, conveniences 4/13/26

This Dream Broker 23

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Big Horn Basin, Wyoming

Date: 4/12/26

Medium: Digital

What arrived

This dream broker tells her audience that she does not offer her services from purely altruistic motives. She names her changeability and remarks upon her desire for amusement.

Handling notes

Add this convenience to the file containing primary source evidence for the variety in dream broker temperaments.

Read More

convenience meditation, conveniences 4/6/26 convenience meditation, conveniences 4/6/26

A Misunderstood Phantasm

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Gulf Coast

Date: 3/24/26

Medium: Digital

What arrived

A popular format for an artistic academic convenience. The broker represents the parallel aspects of her experience. Some scholars believe she seeks comfort for herself by asking if others experience the same. She may be offering comfort. Perhaps she does both.

Handling notes

Kept to the original palette and scale.

Read More

convenience meditation, conveniences 3/30/26 convenience meditation, conveniences 3/30/26

I am Shivering

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

FIELD REPORT

Region: Gulf Coast

Date: 3/30/26

Medium: Analog (original retained)

What arrived

Convenience or inconvenience? Scholars disagree. Why alone? And why an ossuary?

Handling notes

Label as Personal Commentary: Ambiguous.

Withheld

Full view withheld. The object reads differently when seen all at once.

Source: Seeing Europe with Famous Authors, ed. Francis W. Halsey, 1914.

Read More

convenience meditation, conveniences 3/23/26 convenience meditation, conveniences 3/23/26

The Human Mirage

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: The Human Mouth as a Focus of Infection, by Willoughby Dayton Miller, 1891.

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convenience meditation, conveniences 3/16/26 convenience meditation, conveniences 3/16/26

Condensed for his Library

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Image source: Notes on Book Binding by Charles Gerring, 1899.

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convenience meditation, conveniences 3/9/26 convenience meditation, conveniences 3/9/26

Problematical Neglect

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: The Physiological Errors of Moderation by Royal College of Surgeons of England, 1855.

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convenience meditation, conveniences 3/2/26 convenience meditation, conveniences 3/2/26

I Wonder About My Phantoms

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: Voluntary Patients in Asylums by Stanley Haynes, 1869.

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convenience meditation, conveniences 2/23/26 convenience meditation, conveniences 2/23/26

The Dream of Inevitability

Image Source: The Laws of Contrast of Colour by Michel Eugène Chevreul, 1861.

Source: The Inevitable by by Philip Verrill Mighels, 1902.

Read More

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This archival drawer holds completed work, scraps, rough edges, and ongoing mistakes.
It holds everything that was found, blacked out, scribbled over, finished, unfinished, discarded. It all counts.
Come back next week to see more ephemera.