Dream Broker No. 7

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: New Mexico
Date: October 2025
Medium: Metals (original retained)
What arrived
Welded from found metals.
Handling notes
Assembled over one week using discarded metals and salvaged jewelry. As with all dream broker sculptures, the jewels embellish and reveal her worn glamour.
Withheld
Full view withheld. The piece consolidates when seen whole.
Source: Metal and jewelry
remnant detail
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Glimpses Seen in Dreams

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Big Horn Basin
Date: 5/10/26
Medium: Digital
What arrived
A digital convenience assembled from background sources and word scraps.
Handling notes
Palette and scale manipulated to fit. Words and phrases moved in and out.
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Watching from the Seam

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Big Horn Basin
Date: Fall, 2025
Medium: Analog (original retained)
What arrived
Some images on the edge of recognition.
Handling notes
Assembled over a few weeks using discarded images connected by adhesive and thread.
Withheld
Full view withheld. They're all lying anyway.
Source: Various ephemera
remnant detail
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Doorway with Partial Identity

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Big Horn Basin
Date: 4/21/26
Medium: Analog (original retained)
What arrived
Constructed from found materials in transit. This identity shows up frequently in dreams. In this piece she partially reveals herself.
Handling notes
Assembled over a few days using chosen ephemera and adhesive. She wanted some special effects. Composition left slightly unresolved to mirror her unsettled identity and to retain movement between elements.
Withheld
Full view withheld. The piece consolidates when seen whole. Fragmentation preserves the deconstructed nature of her identity.
Source: Various ephemera
remnant detail
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Who is Guarding My Dreams

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Big Horn Basin, Wyoming
Date: 4/19/26
Medium: Digital
What arrived
A digital convenience assembled from word scraps exploring safety
Handling notes
I felt like there was more to be said.
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This Dream Broker 23

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Big Horn Basin, Wyoming
Date: 4/12/26
Medium: Digital
What arrived
A digital convenience assembled from word scraps exploring identity.
Handling notes
This one morphed and wanted to say more.
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A Misunderstood Phantasm

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Gulf Coast
Date: 3/24/26
Medium: Digital
What arrived
A digital convenience assembled from two background sources and word scraps.
Handling notes
Kept to the original palette and scale.
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I am Shivering

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

FIELD REPORT
Region: Gulf Coast
Date: 3/30/26
Medium: Analog (original retained)
What arrived
I built this quickly from road materials and word scraps. The next night, a dream arrived that made the piece less accidental.
Handling notes
Made with what I had on hand while traveling. No added sourcing.
Withheld
Full view withheld. The object reads differently when seen all at once.
Source: Seeing Europe with Famous Authors, ed. Francis W. Halsey, 1914.
remnant detail
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The Human Mirage

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: The Human Mouth as a Focus of Infection, by Willoughby Dayton Miller, 1891.

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Condensed for his Library

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Image source: Notes on Book Binding by Charles Gerring, 1899.

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Problematical Neglect

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: The Physiological Errors of Moderation by Royal College of Surgeons of England, 1855.

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I Wonder About My Phantoms

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: Voluntary Patients in Asylums by Stanley Haynes, 1869.

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The Dream of Inevitability

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: The Inevitable by by Philip Verrill Mighels, 1902.

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When My Dreams Take Me

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: Rhymes of Camp and Hearth by Theodore J. Eckerson, 1881.

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No One Cared

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: “Nature Cared For and Nature Uncared For; The Results upon the Hearts of Men. A Lecture on Ornithology,” delivered by Henry Bendelack Hewetson, 1879.

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Final Rupture

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: Anatomy of the Parts Concerned in Femoral Rupture by George William Callender, 1863.

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I Dream’d That You Were Dead

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: “I Wept, Beloved, as I Dreamed” by Georges Hüe, 1911.

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Curious Epiphanies

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: Curious Epitaphs by William Andrews, 1899.

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Dream States in Another’s Care

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: “Report of the Committee on the Bill Appointing Commissioners to Locate a Second State Lunatic Asylum by New York (State),” 1855.

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Harmful Effects

Image Source: The Laws of Contrast of Colour by Michel Eugène  Chevreul, 1861.

Source: The Relations of The Medical Witness with The Law and The Lawyer by Samuel Parkman, Samuel, 1852.

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This archival drawer holds completed work, scraps, rough edges, and ongoing mistakes.

It holds everything that was found, blacked out, scribbled over, finished, unfinished, discarded. It all counts.

Come back next week to see more ephemera.